{"id":58240,"date":"2018-06-15T10:02:09","date_gmt":"2018-06-15T08:02:09","guid":{"rendered":"https:\/\/www.area-arch.it\/en\/?p=58240"},"modified":"2018-06-15T10:19:20","modified_gmt":"2018-06-15T08:19:20","slug":"interview-to-massimo-alvisi","status":"publish","type":"post","link":"https:\/\/www.area-arch.it\/en\/interview-to-massimo-alvisi\/","title":{"rendered":"Interview to Massimo Alvisi"},"content":{"rendered":"

On the occasion of the\u00a016. Biennale\u00a0of\u00a0Architecture\u00a0in Venice, Area\u00a0interviews\u00a0Massimo Alvisi<\/strong>\u00a0and\u00a0Junko Kirimoto<\/strong>,\u00a0founders of\u00a0Alvisi Kirimoto<\/a><\/strong>,\u00a0<\/strong>the\u00a0design team\u00a0<\/strong>formed in\u00a0Rome in\u00a02002. Alvisi and Kirimoto’s main ideas are based on the requalification of landscape and on the relentless collaboration with clients, paying attention to materials and details, in order to achieve \u201cqualitative space\u201c<\/strong><\/em>.
\n\u201cUser’s senses must be stimulated from the quality of space around. To create qualitative spaces is our main goal.\u201c <\/em>claimed Massimo Alvisi, during a brief talk inside the gardens of the Italian Pavilion.
\nR.C.\u00a0<\/strong>What do you\u00a0think of the current Italian Pavilion? What distinguishes it compared to\u00a0the past editions?
\nM.A.\u00a0<\/strong>Basically, this year the Italian Pavilion, curated by\u00a0Mario Cucinella<\/strong>\u00a0entitled\u00a0\u201cArcipelago Italia\u201c<\/strong>, broght together three main themes. On one hand, there has been the will of rethinking of the central areas of the Peninsula, meant not only as beautiful extinguished places, but also as areas to build and rebuilt. On the other hand, there has been a deep analysis\u00a0on the current Italian situation in order to choose specific sites that needed to take action. Furthermore, the third theme is\u00a0itinerary<\/strong>, conceived likely as the historic\u00a0\u2018Italian Touring Club\u2018\u00a0<\/em>that was an emotional and literary guide,\u00a0as well as\u00a0touristic, capable of giving information on the Italian villages along the Country and of creating a \u2018soul path\u2018.\u00a0<\/em><\/p>\n

\"\"
by MCA<\/figcaption><\/figure>\n

R.C. <\/strong>In fact, you have been asked to partecipate to the Scientific Committee and to support the research of strategic areas that needed to be retrained in Italy. We were wondering if you could explain us the criteria for the selection of the areas.
\nM.A.\u00a0<\/strong>Italian territory is made of unique places\u00a0and one differs from another. Together with Mario Cucinella, we thought that the selection should be based on the necessity of action, measurable not only from an architectural and economic point of view but also socially.
\nWe looked for the Italian villages\u00a0living a strong social unrest, such as the village of\u00a0Camerino<\/strong>,\u00a0in the region of\u00a0Marche,\u00a0where the population is forced to live outside the city centre, that is hidden and unaccessible, besides\u00a0it represents the most valuable part of the village. We basically hunted places under social malaise.
\nAnother example is the city of\u00a0Gibellina<\/strong>, in Sicily, that\u00a0is an unsuccessful\u00a0urban project, perhaps too ambitious or too much self-referential. Instead of breaking down, here we believed there is the need of reconnecting the\u00a0farming land with the urban fabric.
\nIn this context, the work of the architect Pietro Consagra seemed to be a good connector between the farming areas and the urban reality, after the inhabitants’ request of reactivating the economic fabric of the city.
\nAnother topic is health and this interested mostly the region of\u00a0Sardinia<\/strong>. We felt the need\u00a0not only\u00a0to design hospitals or medical centres, but also\u00a0to plan an accurate urban program, being the city responsible for the citizens’ health.
\nIn fact, there are actually two kinds of patients: those who need a medical treatment and then an accurate complex, and those who are chronic patients and must be cured\u00a0by the city itself and the architectures in it. I really believe that\u00a0cities must take care of people who live in it.
\nR.C.<\/strong>\u00a0As\u00a0tutor\u00a0of\u00a0Casa Italia<\/strong>, you must have been busy also with the choice of those cities where operate. How happened this selection instead?
\nM.A. <\/strong>As I told you before, the choice has been guided from the social needs more than economic or seismic ones. We looked for places that are weaker from a social point of view: abandoned places or locations where citizens do not feel comfortable to live in.
\nThe depopulation<\/strong> is also another main topic which I suggest to reflect on. It creates discomforts to people and architecture, since buildings are not groomed\u00a0and none takes care of them. This argument interests also major touristic Italian centres such as the historical centre of Rome, with thousands of b&b and hotels, always full of people but none that\u00a0restores and takes care of them.<\/p>\n

\"\"
by AlvisiKirimoto<\/figcaption><\/figure>\n

R.C.\u00a0<\/strong>What do you wish the exhibition could express to the visitors of Biennale?
\nM.A.\u00a0<\/strong>Regarding\u00a0\u2018the\u00a0care of the building<\/strong>\u2018, we would like to offer instruments in order to\u00a0have time\u00a0for architecture. Then, being the Italian villages surrounded by significant architecture, we would like to put\u00a0the accent on them and\u00a0the landscape, meant as a productive system, able to revitalise the economy, according to what Palladio said.
\nFor example, our\u00a0Cantina Bulgari in Podernuovo<\/strong>\u00a0(Tuscany) represents a key project\u00a0for\u00a0the relation between architecture and industrialised landscape<\/strong>.
\nMoreover, on the occasion of the Biennale of Architecture, many young architects designed\u00a0works that presented\u00a0innovative ideas, especially from a programmatic point of view, and this was useful to show\u00a0how complex architecture is. It is made of different elements and figures, such as a sociologist, an engineer, an architect, a psychologist, forming together a team that aims to connect buildings with site and people who live in it.
\nR.C. <\/strong>What would you suggest young architects to focus on? What suggestions would you give to them in order to design \u201cqualitative spaces\u201c?
\nM.A. <\/strong>As\u00a0<\/strong>a tutor\u00a0of the program\u00a0G124<\/a> <\/strong>and of\u00a0<\/strong>the\u00a0<\/strong>Committee of the Biennale, I personally suggest them to listen to places, listen to people who live them, but always looking for an international dimension. I would say: \u201cthink local but look for foreign inputs\u201c. I really believe that young designers should go\u00a0abroad to practice and learn skills,\u00a0then, once come back, they can apply\u00a0what learnt in their own territory.<\/p>\n","protected":false},"excerpt":{"rendered":"

On the occasion of the\u00a016. Biennale\u00a0of\u00a0Architecture\u00a0in Venice, Area\u00a0interviews\u00a0Massimo Alvisi\u00a0and\u00a0Junko Kirimoto,\u00a0founders of\u00a0Alvisi Kirimoto,\u00a0the\u00a0design team\u00a0formed in\u00a0Rome in\u00a02002. Alvisi and Kirimoto’s main ideas are based on the requalification of landscape and on the relentless collaboration with clients, paying attention to materials and details, in order to achieve \u201cqualitative space\u201c. \u201cUser’s senses must be stimulated from the quality of<\/p>\n","protected":false},"author":32184,"featured_media":58173,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[52,66],"tags":[],"class_list":["post-58240","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","category-essays"],"yoast_head":"\nInterview to Massimo Alvisi | Area<\/title>\n<meta name=\"description\" content=\"On the occasion of the\u00a016. 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