{"id":45863,"date":"2017-09-25T19:21:09","date_gmt":"2017-09-25T17:21:09","guid":{"rendered":"https:\/\/www.area-arch.it\/en\/rachel-whiteread\/"},"modified":"2017-09-25T19:24:30","modified_gmt":"2017-09-25T17:24:30","slug":"rachel-whiteread","status":"publish","type":"post","link":"https:\/\/www.area-arch.it\/en\/rachel-whiteread\/","title":{"rendered":"Rachel Whiteread"},"content":{"rendered":"

Tate Britain presents the most substantial survey to date of work by\u00a0Rachel Whiteread<\/a>, one of the leading artists of her generation. The exhibition reveals the extraordinary breadth of her career over three decades, from the four early sculptures shown in her first solo show in 1988 to works made this year especially for Tate Britain including\u00a0Chicken Shed,<\/em>\u00a0a new concrete shed installed outside the gallery. Known for her signature casting technique, Whiteread\u2019s work ranges in scale from the modest to the monumental in a variety of materials such as plaster, resin, rubber, concrete, metal and paper. Rachel Whiteread first rose to wide public attention with the unveiling of her first public commission\u00a0House<\/em>\u00a0in London\u2019s East End in 1993. A concrete cast of the interior of an entire terraced house, House only stood for a few months before its demolition, but was a landmark public sculpture for London and has come to epitomise Whiteread\u2019s lifelong project as an artist: fusing everyday architectural and domestic forms with personal and universal human experiences and memories.
\nIn a vast 1,500m\u00b2 open gallery space, some of Whiteread\u2019s most important large scale sculptures are shown alongside her more intimate works. These will include\u00a0Untitled (Book Corridors)\u00a0<\/em>1997-8 and\u00a0Untitled (Room 101)\u00a0<\/em>2003 \u2013 a cast of the room at the BBC\u2019s Broadcasting House thought to be the model for Room 101 in George Orwell\u2019s dystopian novel Nineteen Eighty Four. A range of smaller sculptures include casts in different materials and colours from architectural features such as floors, doors and windows to domestic objects such as tables, boxes and a selection of Torsos, Whiteread\u2019s casts of hot water bottles. Another highlight of the exhibition is\u00a0Untitled (One Hundred Spaces)<\/em>\u00a01995 \u2013 an installation of 100 resin casts of the underside of chairs \u2013 shown in Tate Britain\u2019s Duveen galleries. Special sections are also devoted to archive material and to the artist\u2019s drawings. Working with pencil, varnish, correction fluid, watercolour and collage, these works on paper constitute a distinct area of Whiteread\u2019s practice and are an intimate part of her artistic process in producing her sculptural work.<\/p>\n