{"id":16529,"date":"2014-09-21T19:01:41","date_gmt":"2014-09-21T17:01:41","guid":{"rendered":"http:\/\/www.area-arch.it\/senzafine-unica-2\/"},"modified":"2015-10-07T18:50:07","modified_gmt":"2015-10-07T16:50:07","slug":"senzafine-unica","status":"publish","type":"post","link":"https:\/\/www.area-arch.it\/en\/senzafine-unica\/","title":{"rendered":"Senzafine unica"},"content":{"rendered":"

\u201cThe objects we are surrounded by are becoming more and more our companions in life. We live in an age today that has become very different from when they were part of the world of applied arts, and in the beginning of the 20th century we have become convinced that, even if they continue to be \u201cpractical\u201d, they also suggest emotions that may be of a psychological, philosophical, religious, existential and political order. The works in the \u201csenzafine unica\u201d series distinguish themselves by their \u201coversize\u201d dimension, and with their large volumes they tell us that the \u201cculture of objects\u201d is by now a mature artistic expression that is more and more at home with the other languages of art.\u201d<\/p>\n

Gaetano Pesce, May 2011<\/p>\n