{"id":29927,"date":"2016-06-29T11:34:10","date_gmt":"2016-06-29T09:34:10","guid":{"rendered":"http:\/\/www.area-arch.it\/en\/?page_id=29927"},"modified":"2016-10-27T11:50:09","modified_gmt":"2016-10-27T09:50:09","slug":"contemporary-itinerary","status":"publish","type":"page","link":"https:\/\/www.area-arch.it\/en\/contemporary-itinerary\/","title":{"rendered":"Itinerary"},"content":{"rendered":"\n\n\n
\n\n\t\n\t\n\t\t\n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 205<\/span>\n \n |<\/span>\n \t\n \n \n City Life<\/span>\n \n <\/div>\n

Contemporary itinerary: Copenhagen<\/a><\/h3>\n
edited by Maria Giulia Caliri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 17 interior<\/span>\n \n |<\/span>\n \t\n \n \n Storage<\/span>\n \n <\/div>\n

Contemporary itinerary: Roma<\/a><\/h3>\n
edited by Chiara Mezzabotta<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 204<\/span>\n \n |<\/span>\n \t\n \n \n istanbul<\/span>\n \n <\/div>\n

Contemporary itinerary: Istanbul<\/a><\/h3>\n
edited by Vincenzo Moschetti<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 203<\/span>\n \n |<\/span>\n \t\n \n \n Wood<\/span>\n \n <\/div>\n

Contemporary itinerary: Kyoto<\/a><\/h3>\n
edited by Andrea Nastri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 16 interior<\/span>\n \n |<\/span>\n \t\n \n \n Contract<\/span>\n \n <\/div>\n

Contemporary itinerary: Madrid interior<\/a><\/h3>\n
edited by Laura Mucciolo, Vincenzo Moschetti<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 202<\/span>\n \n |<\/span>\n \t\n \n \n natural intelligence<\/span>\n \n <\/div>\n

Contemporary itinerary: Los Angeles<\/a><\/h3>\n
edited by Laura Mucciolo, Vincenzo Moschetti<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 15 interior<\/span>\n \n |<\/span>\n \t\n \n \n Spa<\/span>\n \n <\/div>\n

Contemporary itinerary: Florence Interior<\/a><\/h3>\n
edited by Isabella Peruzzi<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 201<\/span>\n \n |<\/span>\n \t\n \n \n brand architecture<\/span>\n \n <\/div>\n

Contemporary itinerary: Bruxelles<\/a><\/h3>\n
edited by Maria Giulia Caliri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 200<\/span>\n \n |<\/span>\n \t\n \n \n 10 questions 20 architects<\/span>\n \n <\/div>\n

Contemporary itinerary: 20 architects<\/a><\/h3>\n
edited by Chiara Mezzabotta, Andrea Benelli<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 14 interior<\/span>\n \n |<\/span>\n \t\n \n \n Office<\/span>\n \n <\/div>\n

Contemporary itinerary: Florence Interior<\/a><\/h3>\n
edited by Isabella Peruzzi<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 199<\/span>\n \n |<\/span>\n \t\n \n \n Mono Material<\/span>\n \n <\/div>\n

Contemporary itinerary: Cape Town<\/a><\/h3>\n
edited by Andrea Nastri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 13 interior<\/span>\n \n |<\/span>\n \t\n \n \n Time off<\/span>\n \n <\/div>\n

Contemporary itinerary: Amsterdam<\/a><\/h3>\n
edited by Maria Giulia Caliri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 198<\/span>\n \n |<\/span>\n \t\n \n \n Athens<\/span>\n \n <\/div>\n

Contemporary itinerary: Athens<\/a><\/h3>\n
edited by Marta Sanmarchi<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 197<\/span>\n \n |<\/span>\n \t\n \n \n Building within buildings<\/span>\n \n <\/div>\n

Contemporary itinerary: Budapest<\/a><\/h3>\n
edited by Alessandro Achille, Elisa Cecconi<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 12 interior<\/span>\n \n |<\/span>\n \t\n \n \n Eclectic<\/span>\n \n <\/div>\n

Contemporary itinerary: Shanghai Interior<\/a><\/h3>\n
edited by Laura Mucciolo, Vincenzo Moschetti<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 196<\/span>\n \n |<\/span>\n \t\n \n \n Campus<\/span>\n \n <\/div>\n

Contemporary itinerary: Brisbane<\/a><\/h3>\n
edited by Andrea Nastri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 11 interior<\/span>\n \n |<\/span>\n \t\n \n \n Ceramic\/Stone<\/span>\n \n <\/div>\n

Contemporary itinerary: Paris Interior<\/a><\/h3>\n
edited by Maria Giulia Caliri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 195<\/span>\n \n |<\/span>\n \t\n \n \n Fragility<\/span>\n \n <\/div>\n

Contemporary itinerary: Rome<\/a><\/h3>\n
edited by Chiara Mezzabotta<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 194<\/span>\n \n |<\/span>\n \t\n \n \n Roof<\/span>\n \n <\/div>\n

Contemporary itinerary: Romandy<\/a><\/h3>\n
edited by Vincenzo Moschetti e Laura Mucciolo<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 10 interior<\/span>\n \n |<\/span>\n \t\n \n \n In-Out<\/span>\n \n <\/div>\n

Contemporary itinerary: S\u00e3o Paulo<\/a><\/h3>\n
edited by Isabella Peruzzi<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 193<\/span>\n \n |<\/span>\n \t\n \n \n Architecture as defiance<\/span>\n \n <\/div>\n

Contemporary itinerary: Texas<\/a><\/h3>\n
edited by Andrea Nastri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 09 interior<\/span>\n \n |<\/span>\n \t\n \n \n Kitchen<\/span>\n \n <\/div>\n

Contemporary itinerary: Copenhagen<\/a><\/h3>\n
edited by Maria Giulia Caliri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 192<\/span>\n \n |<\/span>\n \t\n \n \n Seoul<\/span>\n \n <\/div>\n

Contemporary itinerary: Seoul<\/a><\/h3>\n
edited by Vincenzo Moschetti<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 191<\/span>\n \n |<\/span>\n \t\n \n \n City Changeover<\/span>\n \n <\/div>\n

Contemporary itinerary: Berlino<\/a><\/h3>\n
edited by Maria Giulia Caliri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 08 interior<\/span>\n \n |<\/span>\n \t\n \n \n Transparency<\/span>\n \n <\/div>\n

Contemporary itinerary: Barcelona<\/a><\/h3>\n
edited by Chiara Mezzabotta<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 190<\/span>\n \n |<\/span>\n \t\n \n \n Healthcare<\/span>\n \n <\/div>\n

Contemporary itinerary: Maggie’s Centres<\/a><\/h3>\n
edited by Caterina Frisone<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 07 interior<\/span>\n \n |<\/span>\n \t\n \n \n Hotel<\/span>\n \n <\/div>\n

Contemporary itinerary: Tokyo<\/a><\/h3>\n
edited by Laura Mucciolo<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 189<\/span>\n \n |<\/span>\n \t\n \n \n Frugality<\/span>\n \n <\/div>\n

Contemporary itinerary: Middle East<\/a><\/h3>\n
edited by Matteo Fustini<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 188<\/span>\n \n |<\/span>\n \t\n \n \n By the water<\/span>\n \n <\/div>\n

Contemporary itinerary: Marrakech<\/a><\/h3>\n
edited by Isabella Peruzzi, Alessandro Achille<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 06<\/span>\n \n |<\/span>\n \t\n \n \n pattern<\/span>\n \n <\/div>\n

Contemporary itinerary: New York<\/a><\/h3>\n
edited by Maria Giulia Caliri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 187<\/span>\n \n |<\/span>\n \t\n \n \n Supernatural<\/span>\n \n <\/div>\n

Contemporary itinerary: Baku<\/a><\/h3>\n
edited by Uzeyir Gasimov<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n <\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 186<\/span>\n \n |<\/span>\n \t\n \n \n Vienna<\/span>\n \n <\/div>\n

Contemporary itinerary: Vienna<\/a><\/h3>\n
edited by Andrea Nastri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 185<\/span>\n \n |<\/span>\n \t\n \n \n Eighteen Italian Stories<\/span>\n \n <\/div>\n

Contemporary itinerary: Italian scenario<\/a><\/h3>\n
edited by Andrea Benelli, Chiara Mezzabotta<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 04 interior<\/span>\n \n |<\/span>\n \t\n \n \n Colour<\/span>\n \n <\/div>\n

Contemporary itinerary: Lisbon<\/a><\/h3>\n
edited by Laura Mucciolo<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 184<\/span>\n \n |<\/span>\n \t\n \n \n Industrial Reuse<\/span>\n \n <\/div>\n

Contemporary itinerary: San Francisco<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 03<\/span>\n \n |<\/span>\n \t\n \n \n Yachting Life<\/span>\n \n <\/div>\n

Interior itinerary: C\u00f4te d’Azur<\/a><\/h3>\n
edited by Maria Giulia Caliri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 182<\/span>\n \n |<\/span>\n \t\n \n \n Supertall<\/span>\n \n <\/div>\n

Contemporary itinerary: New Zealand<\/a><\/h3>\n
edited by Andrea Nastri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 02 interior<\/span>\n \n |<\/span>\n \t\n \n \n Food<\/span>\n \n <\/div>\n

Contemporary itinerary: London<\/a><\/h3>\n
edited by Chiara Mezzabotta<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 181<\/span>\n \n |<\/span>\n \t\n \n \n Spaces for art<\/span>\n \n <\/div>\n

Contemporary itinerary: Paris<\/a><\/h3>\n
edited by Laura Mucciolo<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 01 interior<\/span>\n \n |<\/span>\n \t\n \n \n Comfort Zone<\/span>\n \n <\/div>\n

Contemporary itinerary: Milan Interior<\/a><\/h3>\n
edited by Vincenzo Moschetti<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 180<\/span>\n \n |<\/span>\n \t\n \n \n Milano<\/span>\n \n <\/div>\n

Contemporary itinerary: Milan & Hinterland<\/a><\/h3>\n
edited by Teresa Gori, Andrea Benelli<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 179<\/span>\n \n |<\/span>\n \t\n \n \n Vo Trong Nghia Architects<\/span>\n \n <\/div>\n

Contemporary itinerary: Vietnam<\/a><\/h3>\n
edited by Andrea Nastri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 178<\/span>\n \n |<\/span>\n \t\n \n \n Stone<\/span>\n \n <\/div>\n

Contemporary itinerary: Phoenix<\/a><\/h3>\n
edited by Andrea Nastri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 177<\/span>\n \n |<\/span>\n \t\n \n \n High Altitude<\/span>\n \n <\/div>\n

Contemporary itinerary: Frankfurt<\/a><\/h3>\n
edited by Alessandro Achille, Laura Vanessa Zazzarini<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 176<\/span>\n \n |<\/span>\n \t\n \n \n Places of Learning<\/span>\n \n <\/div>\n

Contemporary itinerary: Canada<\/a><\/h3>\n
edited by Vincenzo Moschetti<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 175<\/span>\n \n |<\/span>\n \t\n \n \n Living Today<\/span>\n \n <\/div>\n

Contemporary itinerary: Osaka<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 174<\/span>\n \n |<\/span>\n \t\n \n \n Tirana<\/span>\n \n <\/div>\n

Contemporary itinerary: Tirana<\/a><\/h3>\n
edited by Teresa Gori, Andrea Benelli<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 173<\/span>\n \n |<\/span>\n \t\n \n \n Gender Gap<\/span>\n \n <\/div>\n

Contemporary itinerary: Women<\/a><\/h3>\n
edited by Andrea Benelli, Teresa Gori, Beatrice Papucci<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 172<\/span>\n \n |<\/span>\n \t\n \n \n Materials<\/span>\n \n <\/div>\n

Contemporary itinerary: Saint Petersburg<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 171<\/span>\n \n |<\/span>\n \t\n \n \n Asunci\u00f3n<\/span>\n \n <\/div>\n

Contemporary itinerary: Asunci\u00f3n<\/a><\/h3>\n
edited by Alessandro Achille<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 170<\/span>\n \n |<\/span>\n \t\n \n \n Vienna<\/span>\n \n <\/div>\n

Contemporary itinerary: Vienna<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 169<\/span>\n \n |<\/span>\n \t\n \n \n Lima<\/span>\n \n <\/div>\n

Contemporary itinerary: Lima<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 168<\/span>\n \n |<\/span>\n \t\n \n \n Chicago<\/span>\n \n <\/div>\n

Contemporary itinerary: Chicago<\/a><\/h3>\n
edited by Antonio Lavarello<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 167<\/span>\n \n |<\/span>\n \t\n \n \n Italian Stories (vol. 3)<\/span>\n \n <\/div>\n

Contemporary itinerary: Southern Italy<\/a><\/h3>\n
edited by Andrea Benelli, Maria Giulia Caliri, Beatrice Papucci<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 166+<\/span>\n \n |<\/span>\n \t\n \n \n Eating Out<\/span>\n \n <\/div>\n

Contemporary itinerary: Restaurants in Italy<\/a><\/h3>\n
edited by Andrea Benelli, Beatrice Papucci<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 166<\/span>\n \n |<\/span>\n \t\n \n \n Re-Use<\/span>\n \n <\/div>\n

Contemporary itinerary: Milan<\/a><\/h3>\n
edited by Andrea Benelli<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 165<\/span>\n \n |<\/span>\n \t\n \n \n Swiss German<\/span>\n \n <\/div>\n

Contemporary itinerary: Swiss German<\/a><\/h3>\n
edited by Andrea Benelli<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 164<\/span>\n \n |<\/span>\n \t\n \n \n Bangkok, Kuala Lumpur<\/span>\n \n <\/div>\n

Contemporary itinerary: Bangkok, Kuala Lumpur<\/a><\/h3>\n
edited by Sara Dello Scarparo, Andrea Ferraro<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 163<\/span>\n \n |<\/span>\n \t\n \n \n Rio de Janeiro<\/span>\n \n <\/div>\n

Contemporary itinerary: Rio de Janeiro<\/a><\/h3>\n
edited by Andrea Nastri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 162<\/span>\n \n |<\/span>\n \t\n \n \n Buenos Aires<\/span>\n \n <\/div>\n

Contemporary itinerary: Buenos Aires<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 161<\/span>\n \n |<\/span>\n \t\n \n \n Italian Stories (vol. 2)<\/span>\n \n <\/div>\n

Contemporary itinerary: Central Italy<\/a><\/h3>\n
edited by Rebecca Carrai, Beatrice Papucci<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 160<\/span>\n \n |<\/span>\n \t\n \n \n plain architecture<\/span>\n \n <\/div>\n

Contemporary itinerary: Provence Cote d’Azur<\/a><\/h3>\n
edited by Rebecca Carrai<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 159<\/span>\n \n |<\/span>\n \t\n \n \n Sensory Design<\/span>\n \n <\/div>\n

Contemporary itinerary: Japan<\/a><\/h3>\n
edited by Sara Dello Scarparo, Andrea Ferraro<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 158<\/span>\n \n |<\/span>\n \t\n \n \n nextGen infrastructure<\/span>\n \n <\/div>\n

Contemporary itinerary: Barcelona<\/a><\/h3>\n
edited by Matteo Chelazzi, Alessandra Fanciullacci<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 157<\/span>\n \n |<\/span>\n \t\n \n \n Wine<\/span>\n \n <\/div>\n

Contemporary itinerary: Washington D.C.<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"Hong<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 156<\/span>\n \n |<\/span>\n \t\n \n \n Hong Kong<\/span>\n \n <\/div>\n

Contemporary itinerary: Hong Kong<\/a><\/h3>\n
edited by Kain Jeanie Chau<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 155<\/span>\n \n |<\/span>\n \t\n \n \n Italian stories<\/span>\n \n <\/div>\n

Contemporary itinerary: Northern Italy<\/a><\/h3>\n
edited by Beatrice Papucci, Ilaria Rondina<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 154<\/span>\n \n |<\/span>\n \t\n \n \n Acoustic temples<\/span>\n \n <\/div>\n

Contemporary itinerary: Miami<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 151<\/span>\n \n |<\/span>\n \t\n \n \n Havana<\/span>\n \n <\/div>\n

Contemporary itinerary: Shanghai<\/a><\/h3>\n
edited by Sara Dello Scarparo, Martina Germana, Renzo Tolomeo<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 152<\/span>\n \n |<\/span>\n \t\n \n \n Parks<\/span>\n \n <\/div>\n

Contemporary itinerary: Parks<\/a><\/h3>\n
edited by Orazio Saluci<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 151<\/span>\n \n |<\/span>\n \t\n \n \n Havana<\/span>\n \n <\/div>\n

Contemporary itinerary: Abu Dhabi<\/a><\/h3>\n
edited by Sara Dello Scarparo, Martina Germana, Renzo Tolomeo<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 151<\/span>\n \n |<\/span>\n \t\n \n \n Micro Architecture<\/span>\n \n <\/div>\n

Contemporary itinerary: Dubai<\/a><\/h3>\n
edited by Sara Dello Scarparo, Martina Germana, Renzo Tolomeo<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"Mappa<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \n <\/div>\n

Contemporary itinerary: Havana<\/a><\/h3>\n
<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 149<\/span>\n \n |<\/span>\n \t\n \n \n Diller Scofidio + Renfro<\/span>\n \n <\/div>\n

Contemporary itinerary: Chicago<\/a><\/h3>\n
edited by Matteo Chelazzi, Alessandra Fanciullacci<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 148<\/span>\n \n |<\/span>\n \t\n \n \n addition<\/span>\n \n <\/div>\n

Contemporary itinerary: Oxford<\/a><\/h3>\n
edited by Andrea Placidi<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"Mappa<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 147<\/span>\n \n |<\/span>\n \t\n \n \n sacred grounds<\/span>\n \n <\/div>\n

Contemporary itinerary: Florence<\/a><\/h3>\n
edited by Laura Andreini<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 146<\/span>\n \n |<\/span>\n \t\n \n \n children<\/span>\n \n <\/div>\n

Contemporary itinerary: Copenaghen<\/a><\/h3>\n
edited by Matteo Chelazzi, Alessandra Fanciullacci<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n
\"sponsor\"<\/a><\/div>\n \n <\/div>\n <\/div>\n
\n \n \tarea 145<\/span>\n \n |<\/span>\n \t\n \n \n underworld<\/span>\n \n <\/div>\n

Contemporary itinerary: New York<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n <\/div>\n \n\t\n\t\n\t\n\n\n\n
\n\n\t\n\t\n\t\t\n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 144<\/span>\n \n |<\/span>\n \t\n \n \n Singapore<\/span>\n \n <\/div>\n

contemporary itinerary: Singapore<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 143<\/span>\n \n |<\/span>\n \t\n \n \n ELEMENTAL<\/span>\n \n <\/div>\n

contemporary itinerary: C\u00f3rdoba<\/a><\/h3>\n
edited by Katia Carlucci, Mario Cardenas<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 142<\/span>\n \n |<\/span>\n \t\n \n \n facade<\/span>\n \n <\/div>\n

contemporary itinerary: Ljubljana and Slovenia<\/a><\/h3>\n
edited by Matteo Chelazzi<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 141<\/span>\n \n |<\/span>\n \t\n \n \n vacation<\/span>\n \n <\/div>\n

Contemporary itinerary: Seoul<\/a><\/h3>\n
Alessandro Dal Corso, Gabriele Meluzzi<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 140<\/span>\n \n |<\/span>\n \t\n \n \n architecture and food<\/span>\n \n <\/div>\n

Contemporary itinerary: Tokyo<\/a><\/h3>\n
Alessandro Dal Corso, Andrea Ferraro, Marcello Galiotto<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 139<\/span>\n \n |<\/span>\n \t\n \n \n under construction<\/span>\n \n <\/div>\n

Contemporary itinerary: Amsterdam<\/a><\/h3>\n
Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 138<\/span>\n \n |<\/span>\n \t\n \n \n MOCKBA 2.0<\/span>\n \n <\/div>\n

Contemporary itinerary: Moscow<\/a><\/h3>\n
Riccardo Crenna, Alessandra Dall'Ara, Simona Flacco<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 137<\/span>\n \n |<\/span>\n \t\n \n \n chinese identity<\/span>\n \n <\/div>\n

Contemporary itinerary: Bilbao<\/a><\/h3>\n
Stefano Moscatelli<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 136<\/span>\n \n |<\/span>\n \t\n \n \n elements<\/span>\n \n <\/div>\n

Contemporary itinerary: Lisbon<\/a><\/h3>\n
Jo\u00e3o Alves<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 135<\/span>\n \n |<\/span>\n \t\n \n \n grafts<\/span>\n \n <\/div>\n

Contemporary itinerary: London<\/a><\/h3>\n
Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 134<\/span>\n \n |<\/span>\n \t\n \n \n clients<\/span>\n \n <\/div>\n

Contemporary itinerary: Vilnius<\/a><\/h3>\n
Elena Ronchi<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 133<\/span>\n \n |<\/span>\n \t\n \n \n chile<\/span>\n \n <\/div>\n

Contemporary itineray: Valpara\u00edso and Concepci\u00f3n<\/a><\/h3>\n
Katia Carlucci<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 132<\/span>\n \n |<\/span>\n \t\n \n \n exhibition<\/span>\n \n <\/div>\n

contemporary itinerary: Seattle<\/a><\/h3>\n
Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 131<\/span>\n \n |<\/span>\n \t\n \n \n fuksas<\/span>\n \n <\/div>\n

contemporary itinerary: Hong Kong \/ Shenzhen<\/a><\/h3>\n
edited by Stefano Tronci in collaboration with Roberto Basi - ProViaggiArchitettura<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 130<\/span>\n \n |<\/span>\n \t\n \n \n gathering places<\/span>\n \n <\/div>\n

contemporary itinerary: Warsaw<\/a><\/h3>\n
Joao Alves<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 129<\/span>\n \n |<\/span>\n \t\n \n \n urban architecture<\/span>\n \n <\/div>\n

contemporary itinerary: Rhein-Ruhr area<\/a><\/h3>\n
edited by Nicola Barbugian and Elisa Iotti<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 128<\/span>\n \n |<\/span>\n \t\n \n \n informal community<\/span>\n \n <\/div>\n

contemporary itinerary: Santiago de Chile<\/a><\/h3>\n
edited by Katia Carlucci<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 127<\/span>\n \n |<\/span>\n \t\n \n \n identity of the landscape<\/span>\n \n <\/div>\n

contemporary itinerary: Sydney<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 126<\/span>\n \n |<\/span>\n \t\n \n \n hamburg<\/span>\n \n <\/div>\n

contemporary itinerary: Hamburg<\/a><\/h3>\n
edited by Matteo Moscatelli<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 125<\/span>\n \n |<\/span>\n \t\n \n \n cino zucchi cza<\/span>\n \n <\/div>\n

contemporary itinerary: Milan<\/a><\/h3>\n
edited by Studio Archea<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 124<\/span>\n \n |<\/span>\n \t\n \n \n new geometries<\/span>\n \n <\/div>\n

contemporary itinerary: Minho-Galicia<\/a><\/h3>\n
edited by Joao Alves<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 123<\/span>\n \n |<\/span>\n \t\n \n \n on the water<\/span>\n \n <\/div>\n

contemporary itinerary: Rotterdam<\/a><\/h3>\n
edited by Andrea Nastri, Giuliana Vespere<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 122<\/span>\n \n |<\/span>\n \t\n \n \n sustainable way<\/span>\n \n <\/div>\n

contemporary itinerary: Lyon<\/a><\/h3>\n
edited by Antonello Boschi and Andrea Bulleri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 121<\/span>\n \n |<\/span>\n \t\n \n \n industrial building<\/span>\n \n <\/div>\n

contemporary itinerary: Valencia<\/a><\/h3>\n
edited by Katia Carlucci<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 120<\/span>\n \n |<\/span>\n \t\n \n \n Beirut<\/span>\n \n <\/div>\n

contemporary itinerary: Beirut<\/a><\/h3>\n
edited by Charbel Maskineh, Nicola Santini<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 119<\/span>\n \n |<\/span>\n \t\n \n \n gaetano pesce<\/span>\n \n <\/div>\n

contemporary itinerary: Berlin<\/a><\/h3>\n
edited by Andrea Nastri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 118<\/span>\n \n |<\/span>\n \t\n \n \n condominium<\/span>\n \n <\/div>\n

contemporary itinerary: Tirana<\/a><\/h3>\n
edited by Antonello Boschi, Andrea Bulleri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 117<\/span>\n \n |<\/span>\n \t\n \n \n wineries<\/span>\n \n <\/div>\n

contemporary itinerary: Wineries<\/a><\/h3>\n
<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 116<\/span>\n \n |<\/span>\n \t\n \n \n Norway<\/span>\n \n <\/div>\n

contemporary itinerary: Oslo<\/a><\/h3>\n
edited by Antonello Boschi and Andrea Bulleri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 115<\/span>\n \n |<\/span>\n \t\n \n \n concrete<\/span>\n \n <\/div>\n

contemporary itinerary: Napoli<\/a><\/h3>\n
a cura di Andrea Nastri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 114<\/span>\n \n |<\/span>\n \t\n \n \n S\u00e3o Paulo<\/span>\n \n <\/div>\n

contemporary itinerary: S\u00e3o Paulo<\/a><\/h3>\n
edited by Gustavo Hiriart, Gabriel Salvador, Giacomo Favilli photo by Leonardo Finotti<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 113<\/span>\n \n |<\/span>\n \t\n \n \n benedetta tagliabue embt<\/span>\n \n <\/div>\n

contemporary itinerary: AILATI<\/a><\/h3>\n
Redazione di Area<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 112<\/span>\n \n |<\/span>\n \t\n \n \n beauty of built<\/span>\n \n <\/div>\n

contemporary itinerary: Johannesburg<\/a><\/h3>\n
edited by Antonello Boschi, Andrea Bulleri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 111<\/span>\n \n |<\/span>\n \t\n \n \n zero volume<\/span>\n \n <\/div>\n

contemporary itinerary: Anversa<\/a><\/h3>\n
edited by Antonello Boschi, Andrea Bulleri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 110<\/span>\n \n |<\/span>\n \t\n \n \n expo 2010 shanghai<\/span>\n \n <\/div>\n

contemporary itinerary: Expo<\/a><\/h3>\n
Redazione di Area<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 109<\/span>\n \n |<\/span>\n \t\n \n \n art and architecture<\/span>\n \n <\/div>\n

contemporary itinerary: Helsinki<\/a><\/h3>\n
edited by Andrea Nastri<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 108<\/span>\n \n |<\/span>\n \t\n \n \n Mexico City<\/span>\n \n <\/div>\n

contemporary itinerary: Mexico City<\/a><\/h3>\n
Redazione di Area<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 107<\/span>\n \n |<\/span>\n \t\n \n \n glenn murcutt<\/span>\n \n <\/div>\n

contemporary itinerary: Melbourne<\/a><\/h3>\n
text by Blair Gardiner<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 106<\/span>\n \n |<\/span>\n \t\n \n \n simplicity<\/span>\n \n <\/div>\n

contemporary itinerary: Stockholm<\/a><\/h3>\n
text by Antonello Boschi - itinerary edited by Antonello Boschi, Andrea Bulleri<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 105<\/span>\n \n |<\/span>\n \t\n \n \n artificial landscape<\/span>\n \n <\/div>\n

contemporary itinerary: Las Vegas<\/a><\/h3>\n
edited by Veronica Pirazzini<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 104<\/span>\n \n |<\/span>\n \t\n \n \n introverted architecture<\/span>\n \n <\/div>\n

contemporary itinerary: Andalusia<\/a><\/h3>\n
Redazione di Area<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 103<\/span>\n \n |<\/span>\n \t\n \n \n Paris<\/span>\n \n <\/div>\n

contemporary itinerary: Parigi<\/a><\/h3>\n
Redazione di Area<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 102<\/span>\n \n |<\/span>\n \t\n \n \n leisure<\/span>\n \n <\/div>\n

contemporary itinerary: Canton Ticino<\/a><\/h3>\n
Redazione di Area<\/div>\n<\/div><\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 101<\/span>\n \n |<\/span>\n \t\n \n \n \u00e1lvaro siza<\/span>\n \n <\/div>\n

contemporary itinerary: \u00c1lvaro Siza<\/a><\/h3>\n
Redazione di Area<\/div>\n<\/div><\/div>\n <\/div>\n \n \n
\n
\n
\n \n \"\"<\/a>\n \n <\/div>\n <\/div>\n
\n \n \tarea 100<\/span>\n \n |<\/span>\n \t\n \n \n changing cities<\/span>\n \n <\/div>\n

contemporary itinerary: area’s top 100 architectures<\/a><\/h3>\n
Redazione di Area<\/div>\n<\/div><\/div>\n \n
<\/div>\n <\/div>\n\t\t\n\t\n\t\n\t\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"area 205 | City Life Contemporary itinerary: Copenhagen edited by Maria Giulia Caliri area 17 interior | Storage Contemporary itinerary: Roma edited by Chiara Mezzabotta area 204 | istanbul Contemporary itinerary: Istanbul edited by Vincenzo Moschetti area 203 | Wood Contemporary itinerary: Kyoto edited by Andrea Nastri area 16 interior | Contract Contemporary itinerary: Madrid","protected":false},"author":181,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-29927","page","type-page","status-publish","hentry"],"yoast_head":"\nItinerary | Area<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.area-arch.it\/en\/contemporary-itinerary\/\" \/>\n<meta property=\"og:locale\" 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